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From Native Instruments: Kontakt Player is a free, expandable software instrument that can be used both standalone and as a plugin in any popular music sequencer. The third-generation Native Instruments Maschine Groove Production Studio offers dramatic improvements over its predecessor, giving experienced and novice users alike a colorful, revamped set of tactile controls -- along with loads of included samples, FX, and a full version of NI's Massive synth. MASCHINE lets you effortlessly produce beats, melodies, and harmonies with powerful drum synths, premium sounds, an integrated sampler, and more – cutting-edge software meets intuitive hardware for ultra-smooth workflow. Find great deals on eBay for native instruments maschine groove production studio. Shop with confidence. Here are 15 free music production software programs ( Digital Audio Workstations ) that are open source and free to download. We have included free music software for Windows, Mac, Linux, and Ubuntu. Please share & join our newsletter.
Here are the Best Free Music Production Software Programs online for Windows, Mac, Linux, and Ubuntu.
These free Digital Audio Workstations will allow you to make professional music without spending any money.
DAW Download Instructions:
- Click the name or image below.
- Look around each website for the download link or button.
- Do NOT install any suspicious software.
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Free Music Production Software
1.Audacity – Record & Edit Audio
Audacity is a free open source software for recording and editing sounds.
- Record live audio.
- Record computer playback on any Windows Vista or later machine.
- Convert tapes and records into digital recordings or CDs.
- Edit WAV, AIFF, FLAC, MP2, MP3 or Ogg Vorbis sound files.
- Cut, copy, splice or mix sounds together.
- Change the speed or pitch of a recording
- Platform: Windows, Mac, GNU/Linux
2.Ardour – Free Digital Audio Workstation
Ardour is a fully-featured digital audio workstation, similar to other software like ProTools, Nuendo, Sonar and Logic, and capable of replacing analog or digital tape systems.
Ardour DAW Features
- Audio and MIDI Multi-Track Recording and Editing – Free DAW
- Plugins with Full Sample Accurate Automation
- Transport Sync and External Control Surfaces
- Powerful Anywhere-to-Anywhere Signal Routing
- Video Timeline
- Platform: Linux and OS X
Music Editing in Ardour
3.LMMS – Free Music Production Software
LMMS is a free cross-platform digital audio workstation software which allows you to produce music with your computer. This covers creating melodies and beats, synthesizing and mixing sounds and arranging samples. You can have fun with your MIDI keyboard and much more.
LMMS Free DAW Features
- Song-Editor for composing songs
- A Beat+Bassline-Editor for creating beats and baselines
- An easy-to-use Piano-Roll for editing patterns and melodies
- An FX mixer with 64 FX channels and an arbitrary number of effects allow unlimited mixing possibilities
- Many powerful instrument and effect plugins out of the box
- Full user-defined track-based automation and computer-controlled automation sources
- Compatible with many standards such as SoundFont2, VST(i), LADSPA, GUS Patches, and MIDI
- Import of MIDI files, Hydrogen project files, and FL Studio ® project files
- Works on Windows, Mac, Linux
LMMS Demo – Sound like Deadmau5 w/ LMMS in Under 10 Minutes
Also, check out Learn How To Produce Your Own Music In LMMS
4.DarkWave Studio – Free Music Creation Software For Windows
DarkWave Studio is a real-time sound editor with a tabbed interface that lets you compose your own music with the assistance of your computer.
DarkWave Studio Features
- VST Plug-in Support – Limitlessly Expandable With Instrument and Effects Plugins.
- Multi-Core / Multi CPU Support.
- Full 64-bit Double Precision Floating Point Audio Processing.
- Low Latency ASIO And DirectSound Audio Output Support.
- Platform Support: Windows 8, Windows 7, Windows Vista, Windows XP
Walk-through Demo
5.orDrumbox
The orDrumbox is a free drum machine software.
orDrumbox Features
- Pattern-oriented – You can create songs by assembling various patterns. It’s up to you to determine the number of beats in each pattern (16 or 32 or whatever).
- Automatic composer and arpeggiator
- Automatic sound assignations
- Drum Kits – You can import, create, modify and save drum kits. It’s a “sound library” in one single file.
- Soft Synth – A soft synth with available and can generate sounds using an analog synth emulation: two VCO generator, FM modulation, envelope ADSR controller, low pass / hi pass filters.
- Platform: Windows, Mac, Linux
orDrumbox Preview
6.Temper – MIDI & Audio Sequencer
Temper is a MIDI and Audio sequencer with an emphasis on MIDI. Easily integrate Temper with your other software via basic drag-and-drop behavior, more advanced sync functionality, or seamlessly as a VST.
Temper Features
- Sophisticated event routing and manipulation
- Powerful MIDI editing environment
- Interactive algorithmic composition tools
- Perform time
- Multiple takes per track
- Simultaneous multitrack editing
- Tool chaining
- Unified MIDI controllers+VST automation
- Multicore audio engine
7.Mixxx
Mixxx has everything you need to start making DJ mixes in a tight, integrated package. Whether you’re DJing your next house party, spinning at a club, or broadcasting as a radio DJ, Mixxx has what you need to do it right.
Mixxx Features
- iTunes Integration
- DJ MIDI Controller Support
- Powerful Mixing Engine
- BPM Detection and Sync
- Platform: Mac, Windows
Mixxx Overview
8.Hydrogen
Hydrogen is an advanced drum machine for GNU/Linux. Its main goal is to bring professional yet simple and intuitive pattern-based drum programming.
Hydrogen Features
- Sample-based stereo audio engine, with the import of sound samples in Wav, .au and .aiff formats.
- Pattern-based sequencer, with an unlimited number of patterns and ability to chain patterns into a song.
- Up to 192 ticks per pattern with individual level per event and variable pattern length.
- Unlimited instrument tracks with volume, mute, solo, pan capabilities.
- Multi-layer support for instruments (up to 16 samples for each instrument).
- Sample Editor, with basic cut and loop functions.
- Platform: Linux
Hydrogen Drum Sequencer Demo
9.Rosegarden
Rosegarden is a music composition and editing environment based on a MIDI sequencer that features a rich understanding of music notation and includes basic support for digital audio.
Rosegarden Features
- Editing – Intuitive ways to record and edit notes.
- MIDI – Managing your MIDI ports, banks, programs, and controllers without having to remember any numbers.
- Notation – Entering, editing, and printing score.
- Audio – Recording, mixing and using samples and effects.
- Synths – Playing your MIDI tracks through hosted synths, for more accurate control.
![Software Software](/uploads/1/3/3/8/133848905/939842411.jpg)
10.Qtractor – Free Music Production Software
Qtractor is an Audio/MIDI multi-track free music production software.
Qtractor DAW Features
- Multi-track audio and MIDI sequencing and recording.
- Traditional multi-track tape recorder control paradigm.
- Audio file formats support OGG (via libvorbis), MP3 (via libmad, playback only), WAV, FLAC, AIFF and many, many more (via libsndfile).
- Standard MIDI files support (format 0 and 1).
- Non-destructive, non-linear editing.
- An unlimited number of tracks per session/project.
- An unlimited number of overlapping clips per track.
- Platform: Linux
Qtractor Demo
11.MusE
MusE is a MIDI/Audio sequencer with recording and editing. MusE aims to be a complete multitrack virtual studio for Linux.
MusE Features
- Realtime Record/Playback several mono/stereo inputs/outputs.
- Graphical editing of automation
- Several types of audio tracks: Audio inputs, Audio outputs, Wave tracks, Group tracks, Aux outputs
- Standardized plugin formats: LADSPA, DSSI, VST
- Drag and drop import and arranging of: Plugins and plugin presets, Parts, Midi files, Audio files, Aux outputs
- Platform: Linux
12.Linux Sampler
The LinuxSampler is an open source audio sampler with high stability, efficiency, and very low latency, providing professional grade features, comparable to both hardware and commercial Windows/Mac software samplers.
Platform: Windows / Mac
13.Spek – Acoustic Spectrum Analyser
Spek helps to analyze your audio files by showing their spectrogram.
Spek Features
- Supports all popular lossy and lossless audio file formats thanks to the FFmpeg libraries.
- Ultra-fast signal processing uses multiple threads to further speed up the analysis.
- Shows the codec name and the audio signal parameters.
- Allows saving the spectrogram as an image file.
- Drag-and-drop support; associates with common audio file formats.
- Auto-fitting time, frequency and spectral density rulers.
- Adjustable spectral density range.
- Translated into 19 languages.
- Platform: Unix, Windows and Mac OS X.
14.MuLab – Free Limited Version
MuLab 6.0 features an enhanced look and feel and a rich collection of new and improved features throughout the app that all together seriously increase the creativity, comfort, and productivity of MuLab.
MuLab DAW Features
- Create, record, edit and play multi-track audio & music.
- Flexible tracks and sub-tracks support audio, MIDI and automation parts.
- Easy modular architecture.
- Top-quality uncompromised sound engine.
- Super-fat oscillators with 300 selected waveforms + support for user waveforms.
- Multi-core CPU support.
- Automatic mono/stereo handling.
- Advanced integration between composer and sound engine.
- Automation parts let you easily automate any parameter in the modular tree structure, even the deepest nested ones.
- Platform: Mac, Windows
MuLab 6 Intro
15.Garageband
GarageBand is the easiest way to create a great-sounding song on your Mac. Add realistic, impeccably produced and performed drum grooves to your song with Drummer.
Garageband Features
- Add a virtual session drummer to your song that takes direction and plays realistic beats
- Create a song with up to 255 tracks
- Quickly change the timing of an audio recording using Flex Time
- Use your iPad and Multi-Touch gestures to wirelessly play any GarageBand instrument on your Mac
- Choose your best performance with multi-take recording
- Platform: Free with Mac OS
![Groove Groove](https://media.pitbullaudio.com/media/catalog/product/cache/1/image/9df78eab33525d08d6e5fb8d27136e95/n/i/ni_maschine_composition_black.jpg)
Software Example – New Trap Beat on Garageband
Suggested Music Equipment
Here are the most popular and top rated music production products online.
MIDI Drum Controllers
MIDI Keyboard
USB Audio Interfaces
Studio Monitors
I hope you guys find this software to be helpful.
If you are looking for more software options make sure you check out 8 Popular Music Software Programs.
Did I miss any other free music production software programs?
P.S. If you want access to more free VST plugins, free samples, drums, and our best free content sign up for our newsletter.
- Hardware >Controller, MIDI Controller
Maschine's MkII hardware gets a Technicolour make-over, while its software increments to v1.8...
Hot on the heels of last year's trimmed-down Maschine Mikro are two eye-catching new hardware controllers for Native Instruments' Maschine. Colour now shines at the heart of the Maschine's universe and, thanks to upgrades in the host software, it can be applied as extravagantly or as sparsely as your taste dictates. Sadly, there's no way to physically transform the older controllers into multi-hued marvels, but existing users can at least enjoy the new effects and other enhancements this update brings. As a further sweetener, Massive — Native Instruments' bass and lead synth — joins the package. If you were ever tempted by Maschine in the past, the theory is that you'll now be massively tempted...
In With The New
The Maschine MkII hardware is undeniably a thing of beauty. In comparison, even the stylish earlier model looks a bit cautious. However, apart from the coloured pads, the two are functionally almost identical. This should come as some relief to existing owners who might be feeling slightly miffed. This review concentrates on the full-sized Maschine controller but there's also a MkII version of the smaller, cheaper Mikro.
The new model is the same size as its forerunner and a little heavier, at 2.1kg. It has dropped the dedicated knobs for Volume, Tempo and Swing, and in their place is a single fat, pushable encoder, plus extra buttons as compensation. The two 64 x 256-pixel displays are a tangible improvement, their white text on black background instantly clearer and easier on the eye than the previous model's inverse video.
Most importantly, the pads, buttons and encoders all feel fantastic, and the simple 'eight parameters per page' integration with Massive (and other synths) renders the controller/sequencer experience slick and painless. The rear panel features MIDI In and Out sockets, so you can drive external synths or drum machines and even sync Maschine to external MIDI clock sources. Recognising the usual issues of computer latency, there are a number of synchronisation offset options, vital for achieving tightness with your hardware. Finally, there's a very snug USB 2 connection that should never drop out accidentally.
Speaking of latency, the buttons and pads are snappy and responsive, while the pads' aftertouch breathes extra life into those traditional Maschine note-repeats. But for the real gains to be appreciated, we should take the plunge into that all-new dimension: colour.
The Magic Of Colour
Who's going to deny that colour and music, especially hi-tech dance music, are born to be together? Whether it's synchronised LED lighting rigs and VJ virtuosos or the many tastefully glowing controllers for Ableton Live, synaesthesic synthesists have never had it so good. (Synaesthesia, or the blending of senses, is a complex neurological condition in which, for example, sounds, numbers, or even days of the week are perceived as colours.) Even if you're not synaesthesic, the ability to locate a kick drum or vocal sample by colour alone is instantly useful — you'll wonder how you ever managed without it. At a stroke, the MkII Maschine's pad matrix is more meaningful. It offers the chance of performance visibility for those using laptops on stage, where their human input often can't be appreciated by the audience.
There are 16 colours to choose from and they can be freely assigned per group, per pattern, per scene, and at the level of samples or individual instruments. Say your first group is a drum kit: you can choose a colour for the whole group, then paint kicks, snares, hi-hats and percussion in a range of hues you'll instantly recognise. The only difficulty is in settling on a scheme and sticking to it. I must have changed my mind half a dozen times already, which isn't a complaint, incidentally.
Each colour has two intensities, the higher one showing selection of a pad, scene or group (for example). The slight down side of this approach is that if you've made judicious use of colour (and you will), selections don't always stand out so obviously amongst multiple subtly different shades. Choosing the right colours is an absorbing process, and once you've adopted the idea, you won't be satisfied until your older songs look right too. Coloration is one of a handful of operations that can only be executed using the Maschine software.
Steps Forward
Colour comes to Groups, Instruments, Scenes, Pads and individual patterns.
You'll notice I haven't talked much about Maschine's functionality so far. There's a good reason for this: it's very much like it was previously! That means we're dealing with a loop-based interactive sequencer and sampler. Maschine makes few concessions to DAW-style linear song arrangement — you have to play and interact with it!
As a host for VST/AU plug-ins and effects, Maschine performs solidly, and although it can run under a DAW as a plug-in, it's in stand-alone mode that it handles best, especially if your DAW is resource-hungry or temperamental. Think of it as a hardware sequencer, but one that communicates effortlessly with your arsenal of soft synths, effects, samples and loops. Check the previous reviews for the full picture: /sos/aug10/articles/ni-maschine-15.htm and also /sos/dec11/articles/ni-maschine-mikro.htm
Version 1.8 isn't only about colour. Included are two new effects and, more importantly, the long-awaited time-stretch and pitch-shift functions. These processes are offline sample edits and therefore not comparable to the 'elastic audio' of Ableton Live, for example. But with availability at the press of a button, it's still a great step forward. A useful fringe-benefit of Maschine's colour system is the ability to colour individual slices of a sliced loop, making them easier to identify when stretching, or editing generally.
The newly-bundled Massive's controls map neatly onto the hardware encodersTime-stretch detects the base tempo of loop-based material pretty accurately on most occasions. It allows you to set a new tempo explicitly, or you can specify an exact number of bars or beats for the processed result. Alternatively, samples can be stretched by percentage. I'd rate the output as good to very good, with the usual proviso that you don't push the process too far beyond the original tempo. Pitch shifting is similarly usable and is accompanied by formant correction, a handy tool for clawing back some of the original timbre after a pitch-shift or time-stretch operation.
You'll be pleased to know that the extra effects introduced in this version are no token gesture. The first is Saturator, with its selectable tube, tape and classic modes. It's spot-on for beefing up samples and virtual instruments, tape mode adding subtle warmth, while tube mode is considerably more raw and gnarly. Tube's EQ section is on hand to rein in some of the resulting lively harmonics. When your tracks require a little grit and attitude, Saturator is an excellent starting point.
Transient Master is not some ephemeral kung fu expert, it's Native Instruments' dynamics effect for Guitar Rig, and it's also now smoothly integrated into Maschine. With its simple gain, attack and sustain controls, it doesn't look like much, but don't be fooled. Transient Master is a powerful and near-instant means of reshaping the dynamics of a full mix — or groups of instruments. Combined with the Saturator, it's an absolute godsend for drums; the sustain control, in particular is ideal for tidying up a muddy drum loop or bass part with the absolute minimum of fuss. A limiter is built in for those times when you've gone overboard sharpening the attack phase!
Other minor improvements include the sampler wave display that now tracks playback position. You can save a group with its samples, and you can preview samples directly from the hardware prior to loading. There's improved handling of missing samples, and a panic function, plus better shortcuts for event selection and erasure. Best of all, you can now control your host DAW's transport directly, without switching to controller mode. It doesn't work automatically, so I was glad of the online YouTube tutorial demonstrating how to set it up for Logic. Finally, you can 'pin' the Autowrite feature and then record encoder tweaks with both hands — definitely liberating!
Timestretch isn't real-time, but it's fast and undo-able.Despite these improvements, there's still work to do as Maschine trundles inexorably towards version 2.0. For example, to re-use patterns or groups from another project you must first open the source project and import components you think you'll need to the library. A more direct method of importing content would be much appreciated. Similarly, I'd file the piano-roll editor under 'crude but effective' and there's no step-by-step input for note entry either, although the 'xox' mode is ideal for creating drum parts.
Under the covers, multi-core support is notable by its absence. At the moment, it's all too easy to hit the CPU limits when stacking heavy-hitting soft synths like Massive, Omnisphere or Diva. Lastly, I'd love to see more sophisticated automation than the current method of writing values into looping patterns. A partial solution involves turning to a DAW host with scene selection via MIDI program changes and macro controls assigned to various functions and effects. But what you really want is to painlessly capture every performance action made on that colourful hardware.
Speaking of performance, there's an impressive YouTube video featuring Jeremy Ellis and two MkII controllers. This might imply that Maschine can use both simultaneously, but actually it was achieved with two instances running under a DAW. It's strictly one controller per Maschine instance at the moment, but if that could change in the future, it would be an olive branch to anyone who bought theirs prior to the infusion of glorious technicolour.
Conclusion
Despite being drawn like a moth to pretty lights, even I wasn't prepared for the impact of colour. Used creatively, colour can genuinely boost Maschine performance and somehow make it faster, better and more vivid. I look forward to seeing more of it lighting up studio photos and DJ booths everywhere!
Owners of the older models probably won't be inclined to toss away their existing hardware, but there's bound to be some envy for those MkIIs and their personalised faceplates and knobs. At least there's some comfort for all in the software upgrades, especially time-stretch and the Transient Master.
Maschine previously shipped with a wide selection of quality sounds and samples, but bundling a heavyweight synth such as Massive is an unexpected bonus. This could be an early response to the challenge of Akai's MPC Renaissance, but as enticements go, it should prove popular.
To sum up, Maschine remains, as before, a refreshing and uncluttered alternative to making music with a DAW. Once I was done colouring in my drums, I wrote two songs in as many evenings, which is unusually productive (for me) these days! Hopefully some of the long-awaited features will appear in version 2.0, although it should be stated that a large part of Maschine's charm is its lack of bloat. Today, adding colour is evolutionary rather than revolutionary, but its potential is out there to be explored. Coloured lights and music, who knew?
Alternatives
Akai's new MPC Renaissance and Studio are obvious competitors, with their MPC pads and large sound library. The Renaissance's multi-port MIDI and a built-in audio interface are further gauntlets thrown down, while the Studio is a simpler, more direct competitor. Although new to the game and less colourful, they should keep NI on their toes.
Slightly less ambitious is Arturia's Spark, with its analogue modelling and knobby interface. Spark's drum-machine focus means that it is less about full production than Maschine, and its single row of eight pads is a different playing experience, too.
Finally, we come to other hardware and software combinations, with the forthcoming Ableton Live 9 Push especially attractive, even if it's a considerable step up in complexity from Maschine.
Massive Attack
To accompany the 6GB content of Komplete Elements, Maschine now includes a free download of NI's Massive. As a long-time Massive owner (it's in the complete version of Komplete), I've never been hugely inspired by the factory patches, and neither the interface nor the hard digital edge lured me in much further. However, thanks to the implementation of NIS (Native Instruments Sound format), Massive's patches can be selected directly from the Maschine hardware, and its controls are instantly accessible from the encoders. In this form, I found Massive more generally palatable, and tweaking hardware controls beats mousing around in search of inspiration every time.
Accessorise
The MkII Maschine and Mikro controllers are available in black or white. For the larger model only, there are five optional kits with custom magnetic faceplates and matching knobs. It's always fun to personalise, even if the colours have all the boldness shown by modern car designers. Don't expect vivid green, hazy purple or fluorescent pus-yellow. Instead there's a choice of dragon red (red), smoked graphite (grey), steel blue (grey-blue), pink champagne or a rather splendid solid gold. I don't know why NI chose pink as their most adventurous colour, but customisation in any form should be applauded. I still want my luminous green, though!
Fitting a replacement kit is so easy even I could do it. And I did. The special tool provided ensures that the knobs can be detached evenly without bending the shafts, but you still have to be careful not to scratch the faceplate underneath.
The last optional extra is a Maschine stand. It's a solid aluminium base with rubber pads for a smooth grip and it sets the Maschine hardware at a workable angle of 15 degrees. Also provided is a mounting adaptor for a drum stand. Once again, the Mikro is left out: the stand is only compatible with the larger controller. I can't help thinking a cunning designer could have found a way to accommodate either.
Pros
- Colour integration: it just feels right.
- Valuable new effects: Transient Master, time-stretch and tube saturation.
- NI Massive included in the package.
- Maschine is justifiably revered and still has a lot to give.
Cons
- Time-stretch and pitch-shift are offline processes.
- The software has made only tentative steps forward, and the competition is hotting up.
Summary
Not quite a Maschine relaunch, the MkII controller looks gorgeous, handles well and binds colour to music in ways that quickly become intuitive. Welcome software enhancements and the bundling of the NI Massive synth ensure that existing owners don't lose out, even if they can't join in the colourfest.
information
Maschine £483, Custom Kit £56, Maschine Stand £56. Prices include VAT.2twenty2 +44 (0)845 299 4222.
Maschine $599, Custom Kit $69, Maschine Stand $69.Native Instruments +1 866 556 6487.
Test Spec
Recommended system:
Ni Groove Production Studio Software For Mac 10.6.8 Free Download
- Windows 7 (latest Service Pack, 32-/64-bit), Intel Core Duo or AMD Athlon 64 X2, 2GB RAM (4GB recommended).
- Mac OS 10.6, 10.7 or 10.8 (latest update), Intel Core 2 Duo, 2GB RAM (4GB recommended).
Review system:
Groove Production Studio Software
- Mac Pro running OS 10.6.8, 12GB RAM, 2x2.66GHz quad-core Intel Xeon.
- Occasional review DAW Host: Logic 9.1.8 in 64-bit mode, but for that 'hardware-driving-soft synths' approach, I mostly ran Maschine stand-alone.